Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in constant stress: the push for softer, more breathable prints that individuals in fact delight in using, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has actually formed how I select inks, pretreatments, and materials for custom clothing projects. Throughout the years, I've discovered that water based inks and discharge printing are not just buzzwords, they are useful tools that produce gorgeous results and real comfort, particularly for T t-shirt printing that needs to stand up to day-to-day wear.
If you run a brand name, manage bulk t t-shirt orders, or simply desire your tailored shirts to seem like a preferred from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The right option can make the distinction in between a t-shirt sites.google.com Custom t shirts that gets used once and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a movie, water based inks soak up into the fibers. That single particular describes most of the benefits and trade-offs. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically equivalent from the shirt itself. For custom t shirts created for convenience, this is the course to the "retail feel" customers ask for.
There are 2 primary households: standard water based and discharge. Basic water based ink works best on white or really light t-shirts. It can cover mid-tones with the best base, but once you move into darker fabrics, you either need a much heavier print or you switch to discharge. Discharge printing uses an activator that lifts the dye from the fabric during treating, basically whitening the shirt's color in the printed locations, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks generally consist of fewer unstable organic substances than solvent-heavy options and prevent PVC completely. Lots of are certified with rigorous requirements like Oeko-Tex or fulfill retail screening regimes that ban particular phthalates and heavy metals. If you sell custom-made garments into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also need to take a look at store practices: filtering on your washout booth, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, typically based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run store, exposure is controlled and waste is recorded. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability hides in the details.
Most people do not buy a graphic tee since they love the ink. They purchase it due to the fact that the garment looks great, feels excellent, and keeps that character after repeated washing. Water based inks, including discharge, provide you that broken-in convenience from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you stretch throughout the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear customers choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own color. On white or heather light shirts, standard water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Different dye lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still working with a background that is moving as the dye is removed.
That's not a defect, it's part of the medium. Many designers welcome the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color reproduction for business logos, either order test prints on the exact batch you prepare to use or think about a water based underbase or hybrid method where required. For wholesale t shirts that will be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge just lifts the cotton portion. That implies your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, vibrant color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents seams, folds, and irregular pressure that appear as blank micro-gaps. If you should print on completed garments, anticipate little spaces along seams, which some customers like as part of the garment's character.
Water based inks behave in a different way on press. They dry quicker in the screen, which is useful on fabric however can lock a mesh if you pause too long. Running a higher mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a constant variety, approximately 45 to 55 percent, to prevent early drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and constant speed, reduce clogging.
Curing is where many novices fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with adequate airflow makes the difference. You want even heat across the belt and enough dwell to reach the maker's treatment temperature throughout the ink layer, not just at the surface area. Shirts leaving the tunnel ought to be dry to the touch without any cool areas. For discharge, the chain reaction takes place during this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and breaking. Water based prints show gradual softening and a mild fade in the very same way jeans relaxes. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For customized shirts that need to look proficient at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be a little slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, automobiles perform at similar speeds. Where it truly settles is in perceived worth. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs over night turnaround and art modifications constantly, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t t-shirts with several colorways and need to keep stock versatile, a versatile water based combination on light garments is efficient, given that you prevent the weight and stiffness that build up with numerous underbases in plastisol.
Design planning starts with the material color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
 
Type weight matters. Very thin knockouts inside heavy flood locations can fill in with discharge, specifically on high-absorbency cotton. If you need razor negative area, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than relying on a digital mockup. A mockup can not catch fiber interplay and dye lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, especially with sublimated or cationic-dyed efficiency shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor smell throughout curing, discharge days in the shop are noticeable. Well-managed air flow alleviates this, but it belongs to the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the effect is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that removes uncertainty. A simple method keeps surprises at bay and helps you hit due dates for launches and events.
Print on demand has its own constraints: quick art modifications, little batch sizes, and the requirement for a broad color range. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you organize catalog method. For styles that are high volume even at little daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel better than many DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol task, I describe what they are buying. They get the soft hand that retail consumers relate with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, typically a small uplift that can be neutralized by choosing a slightly more economical blank. If the program is for wholesale t shirts going into boutiques or e-commerce at premium price points, the improvement in perceived worth more than covers the change.
For customized shirts, such as charity runs or college clubs, alternatives matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it simple and realistic so the shirt makes it through real life. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will withstand typical laundering if effectively cured. I suggest phrasing care ideas in human terms on item pages: wash cold with similar colors, topple dry low, avoid material softeners if you desire colors to remain crisp. The last note matters due to the fact that some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I've tested these directions in-house: two identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little quicker fading of mid-tones, yet still looked excellent. That tolerance comes from correct remedy, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of battling seams, style for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brands that sell minimal runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The ended up garments check out as custom-made from a range, which is the goal.
One spring we ran a series for a local music celebration. The customer wanted soft black tees with a sunburst print that felt like it resided in the material. We sampled on 3 blacks from 2 mills. Batch one raised easily with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The result: constant tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the team to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the ideal period. Use a donut probe or an ingrained thermochromic strip to determine real ink movie temperature, not simply dryer setpoints. Screen lockup is the second. Keep a constant speed on press, flood in between prints, and control shop humidity.
A third mistake is overlooking material variability. If you switch blanks mid-run because a size is out of stock, you might see shifts in color. Construct contingency into your purchasing. For brand names preparing ahead, choosing a standard blank and locking it with your supplier lowers surprises.
If your priority is soft, breathable customized clothing that customers keep wearing, water based inks deserve the learning curve. Usage standard water based on light garments for tidy detail and matte color. Transfer to release on one hundred percent cotton when you want the softest prints on dark shirts. Accept and prepare for small color variation with discharge, specifically across color lots. For bulk t t-shirt orders, build in a single round of physical sampling on the actual blanks you will use, then record your settings and hold back a reference shirt for quality control.
If you operate a print as needed brochure, take a water based capsule of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you have actually won. That's the minute water based and discharge deliver, and why they should have a location in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515