Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in continuous tension: the push for softer, more breathable prints that individuals really enjoy wearing, and the need to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I pick inks, pretreatments, and fabrics for custom-made garments projects. For many years, I've discovered that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce lovely outcomes and genuine comfort, specifically for T shirt printing that needs to withstand daily wear.
If you run a brand, manage bulk t shirt orders, or merely want your individualized t-shirts to feel like a favorite from the first wash, it deserves comprehending how these ink systems work, where they shine, and where they require care. The ideal option can make the distinction between a shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a film, water based inks absorb into the fibers. That single particular explains most of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is often identical from the t-shirt itself. For custom t shirts designed for comfort, this is the course to the "retail feel" customers ask for.
There are 2 main households: standard water based and discharge. Basic water based ink works best on white or really light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either require a much heavier print or you change to release. Release no minimum order printing uses an activator that lifts the color from the material during curing, basically bleaching the shirt's color in the printed areas, then changes it with your pigment. The end result is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks normally contain less volatile natural compounds than solvent-heavy options and prevent PVC completely. Many are compliant garment pre-treatment process with rigorous standards like Oeko-Tex or satisfy retail testing routines that prohibit particular phthalates and heavy metals. If you sell custom-made clothing into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You likewise need to take a look at store practices: filtering on your washout cubicle, recover chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge needs an activator, typically based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run shop, direct exposure is controlled and waste is caught. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability conceals in the details.
Most individuals do not buy a graphic tee due to the fact that they like the ink. They buy it since the garment looks great, feels excellent, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, provide you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes obtain from heavy plastisol when you stretch throughout the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear clients choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light shirts, standard water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Different dye lots discharge in a different way, even within the exact same brand name and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, however you're still dealing with a background that is shifting as the dye is removed.

That's not a flaw, it belongs to the medium. Many designers embrace the a little classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color reproduction for business logo designs, either order test prints on the exact batch you prepare to use or think about a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge just raises the cotton part. That suggests your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, brilliant color on a poly blend, standard plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces joints, folds, and irregular pressure that show up as blank micro-gaps. If you should print on finished garments, expect little spaces along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which is useful on fabric however can lock a mesh if you stop briefly too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a stable range, roughly 45 to 55 percent, to avoid early drying. Manual press operators will observe how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant pace, minimize clogging.
Curing is where many novices fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with sufficient airflow makes the distinction. You desire even heat throughout the belt and enough dwell to reach the maker's cure temperature throughout the ink layer, not simply at the surface. T-shirts leaving the tunnel must be dry to the touch with no cool spots. For discharge, the chain reaction happens during this remedy, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon correct treatment and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and cracking. Water based prints reveal gradual softening and a gentle fade in the very same method denim relaxes. Plastisol's failure mode is different, usually breaking if the ink layer is too thick or under-cured. For customized shirts that need to look proficient at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.

Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, autos run at comparable speeds. Where it really pays off remains in viewed value. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs over night turn-around and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t shirts with numerous colorways and must keep stock flexible, a versatile water based combination on light garments is efficient, given that you avoid the weight and stiffness that build up with multiple underbases in plastisol.
Design planning begins with the fabric color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can fill in with discharge, specifically on high-absorbency cotton. If you need razor negative space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of trusting a digital mockup. A mockup can not catch fiber interplay and color lift.
There are times I advise against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed performance shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor smell during treating, discharge days in the shop are visible. Well-managed air flow alleviates this, however it is part of the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that removes uncertainty. A simple approach keeps surprises at bay and assists you hit deadlines for launches and events.
Print on demand has its own restrictions: fast art modifications, little batch sizes, and the requirement for a broad color range. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you arrange catalog strategy. For designs that are high volume even at small daily quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel better than many DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who appreciate Halftone printing touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol job, I discuss what they are purchasing. They get the soft hand that retail clients correspond with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, frequently a small uplift that can be reduced the effects of by selecting a somewhat more affordable blank. If the program is for wholesale t t-shirts entering into boutiques or e-commerce at exceptional rate points, the improvement in viewed value more than covers the change.
For customized shirts, such as charity runs or college clubs, alternatives matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Meeting both lets you serve a broader market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it easy and sensible so the shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will endure typical laundering if appropriately treated. I suggest phrasing care suggestions in human terms on product pages: wash cold with similar colors, tumble dry low, avoid material softeners if you want colors to stay crisp. The last note matters due to the fact that some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I have actually evaluated these directions in-house: 2 similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly much faster fading of mid-tones, yet still looked excellent. That tolerance originates from appropriate treatment, not from babying the garment.

All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting joints, style for them. Usage tone-on-tone patterns that fade naturally at joints, or use a pretreatment solution ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer limited runs can validate cut-and-sew for 100 to 300 pieces if the design warrants it. The completed garments read as custom-made from a range, which is the goal.
One spring we ran a series for a local music festival. The customer wanted soft black tees with a sunburst print that seemed like it resided in the material. We sampled on three blacks from 2 mills. Batch one lifted cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the best duration. Use a donut probe or an embedded thermochromic strip to measure true ink film temperature, not simply dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood between prints, and control shop humidity.
A embroidery shirts third pitfall is disregarding material irregularity. If you change blanks mid-run since a size runs out stock, you might see shifts in color. Construct contingency into your purchasing. For brands planning ahead, picking a standard blank and locking it with your supplier minimizes surprises.
If your top priority is soft, breathable customized apparel that customers keep using, water based inks are worth the knowing curve. Use basic water based on light garments for clean detail and matte color. Move to release on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for small color difference with discharge, particularly across dye lots. For bulk t shirt orders, build in a single round of physical tasting on the real blanks you will utilize, then document your settings and keep back a referral shirt for quality control.
If you operate a print on demand brochure, take a water based capsule of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a client rubs their thumb across a print and feels nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why they should have a location in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515