Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that people in fact take pleasure in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has formed how I select inks, pretreatments, and fabrics for customized garments projects. Throughout the years, I have actually learned that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely results and real convenience, especially for T shirt printing that needs to stand up to day-to-day wear.
If you run a brand, handle bulk t t-shirt orders, or just desire your individualized shirts to seem like a preferred from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The best option can make the distinction between a shirt that gets worn once and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a film, water based inks absorb into the fibers. That single characteristic discusses most of the benefits and compromises. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is often equivalent from the t-shirt itself. For custom-made t t-shirts created for comfort, this is the course to the "retail feel" clients ask for.
There are 2 primary families: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the ideal base, but once you move into darker materials, you either require a much heavier print or you change to release. Release printing utilizes an activator that lifts the color from the fabric during treating, essentially bleaching the t-shirt's dye in the printed areas, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks usually include fewer volatile organic compounds than solvent-heavy options and prevent PVC altogether. Many are compliant with stringent standards like Oeko-Tex or satisfy retail screening routines that ban certain phthalates and heavy metals. If you sell custom-made garments into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You also require to look at store practices: filtration on your washout cubicle, reclaim chemistry, energy use on your dryer, and even material sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is recorded. If you're utilizing print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability hides in the details.

Most people do not buy a graphic tee because they like the ink. They buy it because the garment looks excellent, feels good, and keeps that character after repeated cleaning. Water based inks, including discharge, provide you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you extend across the chest.
I keep a shelf of contrast shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear customers choose, but the user feedback corresponds: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the material's own color. On white or heather light shirts, basic water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Various color lots discharge in a different way, even within the exact same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, but you're still working with a background that is shifting as the dye is removed.
That's not a flaw, it belongs to the medium. Lots of designers accept the slightly classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand demands laser-precise color recreation for corporate logos, either order test prints on the precise batch you plan to use or consider a water based underbase or hybrid method where needed. For wholesale t shirts that will be distributed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only raises the cotton portion. That suggests your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vibrant color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces seams, folds, and irregular pressure that appear as blank micro-gaps. If you need to print on finished garments, anticipate small voids along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry quicker in the screen, which works on material however can lock a mesh if you pause too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a stable variety, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent speed, lower clogging.
Curing is where many beginners fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the difference. You want even heat throughout the belt and sufficient dwell to reach the maker's cure temperature level throughout the ink layer, not just at the surface area. T-shirts leaving the tunnel needs to be dry to the touch with no cool areas. For discharge, the chain reaction takes place throughout this remedy, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends on correct remedy and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and splitting. Water based prints reveal steady softening and a mild fade in the very same method jeans unwinds. Plastisol's failure mode is different, generally splitting if the ink layer is too thick or under-cured. For customized shirts that need to look good at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, autos run at similar speeds. Where it really settles remains in viewed value. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires overnight turn-around and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel compromises. When you handle wholesale t t-shirts with multiple colorways and should keep stock versatile, a versatile water based palette on light garments is efficient, considering that you avoid the weight and tightness that accumulate with numerous underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill out with discharge, especially on high-absorbency cotton. If you require razor negative space, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can cause color migration, specifically with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to small odor throughout treating, discharge days in the store are noticeable. Well-managed airflow alleviates this, but it belongs to the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles team uniforms printing often sink, and the impact is more satin than real metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that eliminates guesswork. A basic method keeps surprises at bay and assists you hit deadlines for launches and events.
Print on demand has its own restraints: fast art modifications, small batch sizes, and the need for a broad color range. Direct-to-garment has become the default, but water based screen printing can fit POD if you organize brochure technique. For designs that are high volume even at little day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel better than many DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol task, I explain what they are purchasing. They get the soft hand that retail consumers equate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, typically a small uplift that can be reduced the effects of by picking a somewhat more affordable blank. If the program is for wholesale t shirts entering into stores or e-commerce at superior cost points, the improvement in viewed value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it basic and realistic so the shirt makes it through reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will endure normal laundering if properly cured. I suggest phrasing care pointers in human terms on item pages: wash cold with comparable colors, tumble dry low, prevent fabric softeners if you desire colors to remain crisp. The last note matters since some conditioners can deposit movies on fibers, dulling the visual contrast of fine lines.
I've checked these directions in-house: two identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly white ink underbase much faster fading of mid-tones, yet still looked great. That tolerance originates from proper cure, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of battling seams, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brands that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the design necessitates it. The finished garments check out as custom from a distance, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that felt like it lived in the fabric. We tested on 3 blacks from 2 mills. Batch one raised cleanly with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temperature for the ideal period. Utilize a donut probe or an ingrained thermochromic strip to measure real ink movie temperature, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood between prints, and control store humidity.
A 3rd risk is disregarding fabric variability. If you switch blanks mid-run because a size is out of stock, you might see shifts in color. Construct contingency into your purchasing. For brand names planning ahead, selecting a standard blank and locking it with your provider lowers surprises.
If your top priority is soft, breathable customized garments that clients keep wearing, water based inks deserve the knowing curve. Use basic water based on light garments for clean detail and matte color. Relocate to discharge on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and prepare for slight color variance with discharge, particularly throughout dye lots. For bulk t shirt orders, build in a single round of physical tasting on the real blanks you will use, then record your settings and keep back a reference t-shirt for quality control.
If you run a print as needed catalog, take a water based pill of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a client rubs their thumb throughout a print and feels absolutely nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why they are worthy of a location in any major shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515