Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in consistent stress: the push for softer, more breathable prints that people really enjoy using, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually shaped how I pick inks, pretreatments, and materials for custom apparel jobs. Over the years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are useful tools that produce beautiful results and real comfort, specifically for T t-shirt printing that needs to withstand everyday wear.
If you run a brand, handle bulk t t-shirt orders, or simply want your customized shirts to feel like a preferred from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The ideal option can make the distinction in between a shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks take in into the fibers. That single characteristic explains most of the advantages and trade-offs. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the shirt itself. For custom t t-shirts designed for convenience, this is the path to the "retail feel" customers ask for.
There are 2 primary families: basic water based and discharge. Basic water based ink works best on white or really light t-shirts. It can cover mid-tones with the best base, but once you move into darker fabrics, you either require a heavier print or you switch to release. Discharge printing uses an activator that lifts the color from the material throughout curing, essentially bleaching the shirt's dye in the printed locations, then changes it with your pigment. The end result is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks normally contain less unpredictable natural compounds than solvent-heavy options and prevent PVC completely. Numerous are compliant with stringent requirements like Oeko-Tex or satisfy retail screening routines that prohibit particular phthalates and heavy metals. If you sell custom-made garments into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also require to take a look at shop practices: filtering on your washout booth, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge needs an activator, generally based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is recorded. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability conceals in the details.
Most individuals do not purchase a graphic tee since they love the ink. They purchase it because the garment looks excellent, feels excellent, and keeps that character after duplicated washing. Water based inks, consisting of discharge, offer you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases receive from heavy plastisol when you stretch throughout the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear clients choose, but the user feedback is consistent: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, basic water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different color lots discharge in a different way, even within the same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, but you're still dealing with a background that is moving as the dye is removed.
That's not a flaw, it becomes part of the medium. Many designers welcome the a little vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color reproduction for business logo designs, either order test prints on the precise batch you plan to utilize or consider a water based underbase or hybrid method where required. For wholesale t shirts that will be distributed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only raises the cotton portion. That indicates your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, brilliant color on a poly blend, standard plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on finished garments, expect little spaces along seams, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry faster in the screen, which works on fabric however can lock a mesh if you stop briefly too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting option at hand, and keep the print room humidity in a steady range, approximately 45 to 55 percent, to prevent early drying. Manual press operators will notice how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant rate, minimize clogging.
Curing is where lots of beginners fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with enough air flow makes the distinction. You want even heat throughout the belt and sufficient dwell to reach the producer's remedy temperature throughout the ink layer, not simply at the surface area. T-shirts leaving the tunnel needs to be dry to the touch without any cool areas. For discharge, the chain reaction happens during this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on correct treatment and fiber engagement. A well-cured water based print on cotton can outlive the t-shirt. I measure sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and breaking. Water based prints show steady softening and a gentle fade in the same method jeans relaxes. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For customized shirts that require to look good at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, cars perform at similar speeds. Where it truly settles is in viewed value. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs over night turnaround and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t t-shirts with multiple colorways and must keep stock flexible, a flexible water based scheme on light garments is effective, considering that you prevent the weight and stiffness that collect with several underbases in plastisol.
Design preparation begins with the material color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, particularly on high-absorbency cotton. If you need razor unfavorable area, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I advise against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed performance t-shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small smell throughout treating, discharge days in the store are visible. Well-managed airflow reduces this, however it belongs to the process.
If a customer requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that must be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run polyester DTG compatibility your own presses or depend on a partner, set up a workflow that removes uncertainty. A simple technique keeps surprises at bay and helps you struck due dates for launches and events.
Print on demand has its own restrictions: quick art changes, little batch sizes, and the need for a broad color range. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you arrange brochure technique. For designs that are high volume even at little day-to-day quantities, pre-burning screens and keeping a small stock of popular sizes lets you deliver same day with water based prints that feel much better than lots of DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol task, I discuss what they are purchasing. They get the soft hand that retail customers correspond with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, often a little uplift that can be neutralized by choosing a slightly more economical blank. If the program is for wholesale t shirts going into boutiques or e-commerce at exceptional price points, the improvement in viewed value more than covers the change.
For customized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it easy and realistic so the shirt survives reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will sustain regular laundering if effectively cured. I recommend phrasing care ideas in human terms on product pages: wash cold with comparable colors, tumble dry low, prevent fabric softeners if you desire colors to stay crisp. The last note matters since some softeners can deposit movies on fibers, dulling the visual contrast of great lines.
I have actually checked these instructions in-house: two identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little faster fading of mid-tones, yet still looked great. That tolerance originates from proper cure, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of battling joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brands that sell minimal runs can validate cut-and-sew for 100 to 300 pieces if the design necessitates it. The finished garments check out as custom from a distance, which is the goal.
One spring we ran a series for a local music festival. The client wanted soft black tees with a sunburst print that felt like it resided in the fabric. We sampled on three blacks from two mills. Batch one raised cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The result: constant tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the ideal duration. Utilize a donut probe or an embedded thermochromic strip to determine true ink movie temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent pace on press, flood in between prints, and control store humidity.
A third pitfall is ignoring material irregularity. If you change blanks mid-run because a size is out of stock, you may see shifts in color. Develop contingency into your buying. For brands planning ahead, choosing a basic blank and locking it with your provider lowers surprises.
If your top priority is soft, breathable custom-made apparel that clients keep wearing, water based inks are worth the knowing curve. Use standard water based on light garments for clean information and matte color. Move to release on one hundred percent cotton when you want the softest prints on dark shirts. Accept and prepare for small color variance with discharge, specifically across color lots. For bulk t shirt orders, build in a single round of physical tasting on the actual blanks you will use, then document your settings and hold back a recommendation t-shirt for quality control.
If you operate a print as needed brochure, take a water based pill of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels absolutely nothing however fiber, you have actually won. That's the moment water based and discharge provide, and why they deserve a place in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515