Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that individuals really enjoy using, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has actually formed how I pick inks, pretreatments, and fabrics for custom apparel jobs. Over the years, I've discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce gorgeous results and genuine comfort, specifically for T shirt printing that requires to withstand daily wear.
If you run a brand name, manage bulk t shirt orders, or simply desire your tailored shirts to seem like a favorite from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The best option can make the difference between a shirt that gets worn as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks absorb into the fibers. That single particular explains the majority of the advantages and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically indistinguishable from the shirt itself. For customized t shirts designed for convenience, this is the path to the "retail feel" clients ask for.
There are 2 primary families: basic water based and discharge. Basic water based ink works best on white or really light t-shirts. It can cover mid-tones with the right base, once you move into darker fabrics, you either need a heavier print or you change to discharge. Discharge printing uses an activator that lifts the color from the fabric throughout treating, basically whitening the shirt's color in the printed locations, then changes it with your pigment. The end result is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks generally include fewer unpredictable organic compounds than solvent-heavy options and prevent PVC altogether. Many are compliant with rigorous requirements like Oeko-Tex or meet retail testing regimes that ban certain phthalates and heavy metals. If you sell custom-made clothing into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You also require to take a look at shop practices: filtration on your washout cubicle, recover chemistry, energy use on your dryer, and even material sourcing. Discharge requires an activator, normally based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is caught. If you're utilizing print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most individuals do not buy a graphic tee due to the fact that they like the ink. They purchase it since the garment looks great, feels excellent, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, offer you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes get from heavy plastisol when you extend throughout the chest.
I keep a shelf of comparison t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear customers prefer, however the wearer feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, but you're still working with a background that is moving as the color is removed.
That's not a flaw, it's part of the medium. Lots of designers accept the a little classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color recreation for corporate logos, either order test prints on the precise batch you plan to use or consider a water based underbase or hybrid technique where required. For wholesale t shirts that will be distributed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only lifts the cotton part. That means your color saturates the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, brilliant color on a poly mix, standard plastisol or a specialized low-cure system may Screen reclaiming be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on completed garments, anticipate small spaces along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry faster in the screen, which works on material however can lock a mesh if you pause too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a constant variety, approximately 45 to 55 percent, to prevent early drying. Manual press operators will observe how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent pace, lower clogging.
Curing is where many novices miss the mark. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with enough air flow makes the difference. You desire even heat throughout the belt and enough dwell to reach the manufacturer's treatment temperature throughout the ink layer, not simply at the surface. T-shirts leaving the tunnel should be dry to the touch without any cool areas. For discharge, the chemical reaction occurs during this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon correct cure and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and cracking. Water based prints show progressive softening and a mild fade in the same way denim relaxes. Plastisol's failure mode is various, normally breaking if the ink layer is too thick or under-cured. For customized shirts that need to look proficient at a family reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, however the economics fall under familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, vehicles run at similar speeds. Where it actually pays off is in viewed worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turn-around and art changes constantly, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t t-shirts with numerous colorways and should keep stock flexible, a flexible water based scheme on light garments is effective, because you avoid the weight and tightness that collect with numerous underbases in plastisol.
Design preparation begins with the fabric color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can complete with discharge, especially on high-absorbency cotton. If you require razor negative area, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of trusting a digital mockup. A mockup can not catch fiber interaction and color lift.
There are times I encourage versus discharge. Polyester-rich garments are top of the list. The activator can cause color migration, especially with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small smell throughout treating, discharge days in the store are visible. Well-managed airflow reduces this, however it belongs to the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles often sink, and the effect is more satin than true metal. For high-opacity neons on dark shirts that should be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that removes uncertainty. An easy technique keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own constraints: quick art changes, small batch sizes, and the requirement for a broad color range. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you organize catalog technique. For styles that are high volume even at little daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel better than many DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a heat transfer vinyl water based or discharge print costs more than a standard plastisol job, I explain what they are purchasing. They get the soft hand that retail customers correspond with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, often a little uplift that can be neutralized by picking a somewhat more affordable blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at exceptional cost points, the improvement in perceived worth more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels often read like legal disclaimers. Keep it simple and reasonable so the shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will sustain normal laundering if correctly cured. I recommend phrasing care ideas in human terms on item pages: wash cold with comparable colors, tumble dry low, avoid fabric conditioners if you want colors to stay crisp. The last note matters due to the fact that some softeners can deposit movies on fibers, dulling the visual contrast of great lines.
I've tested these directions in-house: two identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat much faster fading of mid-tones, yet still looked good. That tolerance originates from right cure, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of battling joints, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer minimal runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The completed garments read as custom from a distance, which is the goal.
One spring we ran a series for a local music celebration. The client desired soft black tees with a sunburst print that felt like it lived in the fabric. We tested on 3 blacks from two mills. Batch one raised easily with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink household. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temp for the ideal period. Use a donut probe or an ingrained thermochromic strip to measure real ink film temperature level, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant pace on press, flood in between prints, and control shop humidity.
A 3rd mistake is overlooking fabric variability. If you change blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Build contingency into your buying. For brand names planning ahead, selecting a standard blank and locking it with your supplier lowers surprises.
If your priority is soft, breathable customized garments that consumers keep wearing, water based inks deserve the knowing curve. Use basic water based upon light garments for clean information and matte color. Relocate to discharge on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for minor color variance with discharge, particularly throughout color lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then document your settings and hold back a referral t-shirt for quality control.
If you run a print as needed catalog, take a water based pill of finest sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a customer rubs their thumb throughout a print and feels nothing however fiber, you have actually won. That's the minute water based and discharge deliver, and why they deserve a location in any serious shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515