Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that people really delight in using, and the need to produce at scale without compromising the environment or the bottom line. That tension has formed how I choose inks, pretreatments, and fabrics for customized apparel projects. For many years, I have actually found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce beautiful results and genuine comfort, particularly for T t-shirt printing that needs to stand up to day-to-day wear.
If you run a brand, handle bulk t t-shirt orders, or simply desire your individualized shirts to seem like a favorite from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The right option can make the distinction in between a t-shirt that gets worn when and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks soak up into the fibers. That single particular explains the majority of the advantages and compromises. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically identical from the shirt itself. For customized t t-shirts developed for comfort, this is the course to the "retail feel" clients ask for.
There are 2 primary households: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either need a much heavier print or you change to release. Release printing utilizes an activator that lifts the dye from the material during curing, basically bleaching the shirt's dye in the printed areas, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, often with impressive detail.
Eco friendly inks Pantone color matching are not a marketing motto if you unpack the chemistry and the workflow. Water based inks generally consist of less volatile natural compounds than solvent-heavy options and avoid PVC altogether. Numerous are compliant with strict standards like Oeko-Tex or fulfill retail testing programs that prohibit particular phthalates and heavy metals. If you offer customized garments into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You also require to look at store practices: filtration on your washout cubicle, recover chemistry, energy use on your dryer, and even fabric sourcing. Discharge needs an activator, normally based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run shop, exposure is controlled and waste is caught. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability conceals in the details.
Most people do not buy a graphic tee since they love the ink. They purchase it since the garment looks excellent, feels good, and keeps that character after repeated washing. Water based inks, consisting of discharge, offer you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often receive from heavy plastisol when you stretch across the chest.
I keep a shelf of contrast t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear customers choose, however the wearer feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various dye lots discharge differently, even within the same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, however you're still dealing with a background that is shifting as the dye is removed.
That's not a defect, it belongs to the medium. Numerous designers welcome the a little vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for business logos, either order test prints on the precise batch you plan to use or think about a water based underbase or hybrid technique where required. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton portion. That indicates your color fills the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, vibrant color on a poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and irregular pressure that appear as blank micro-gaps. If you must print on completed garments, expect little voids along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry faster in the screen, which works on material but can lock a mesh if you pause too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting option at hand, and keep the print room humidity in a steady variety, roughly 45 to 55 percent, to prevent early drying. Manual press operators will notice how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant pace, minimize clogging.
Curing is where many newbies miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with adequate airflow makes the difference. You want even heat throughout the belt and enough dwell to reach the producer's cure temperature level throughout the ink layer, not simply at the surface area. Shirts leaving the tunnel must be dry to the touch with no cool spots. For discharge, the chemical reaction takes place throughout this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon correct remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine durability by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and cracking. Water based prints show steady softening and a mild fade in the exact same way denim relaxes. Plastisol's failure mode is various, normally breaking if the ink layer is too thick or under-cured. For customized t-shirts that require to look proficient at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, cars perform at comparable speeds. Where it truly settles is in viewed worth. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires overnight turn-around and art modifications constantly, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel compromises. When you handle wholesale t t-shirts with several colorways and need to keep stock flexible, a flexible water based scheme on light garments is effective, considering that you prevent the weight and tightness that accumulate with numerous underbases in plastisol.
Design planning starts with the material color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color looks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can fill in with discharge, particularly on high-absorbency cotton. If you need razor negative space, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of relying on a digital mockup. A mockup can not record fiber interaction and color lift.
There are times I advise versus discharge. Polyester-rich garments are top of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to small odor throughout curing, discharge days in the shop are noticeable. Well-managed airflow reduces this, but it becomes part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the impact is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that removes guesswork. A simple method keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own restraints: quick art changes, small batch sizes, and the requirement for a broad color range. Direct-to-garment has become the default, however water based screen printing can fit POD if you organize catalog technique. For designs that are high volume even at small day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship exact same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I describe what they are buying. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a basic three-color front hit might be modest, often a little uplift that can be neutralized by choosing a slightly more affordable blank. If the program is for wholesale t t-shirts going into stores or e-commerce at exceptional cost points, the improvement in viewed worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, choices matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it simple and realistic so the t-shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will sustain regular laundering if effectively treated. I suggest phrasing care ideas in human terms on item pages: wash cold with similar colors, tumble dry low, prevent material conditioners if you want colors to stay crisp. The last note matters due to the fact that some conditioners can deposit movies on fibers, dulling the visual contrast of great lines.
I have actually evaluated these instructions in-house: 2 similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little much faster fading of mid-tones, yet still looked excellent. That tolerance comes from appropriate cure, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of combating joints, style for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell limited runs can validate cut-and-sew for 100 to 300 pieces if the style requires it. The completed garments read as customized from a distance, which is the goal.
One spring we ran a series for a local music celebration. The customer wanted soft black tees with a sunburst print that felt like it lived in the material. We sampled on 3 blacks from 2 mills. Batch one raised cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The outcome: constant tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the team to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temperature for the best period. Use a donut probe or an ingrained thermochromic strip to determine true ink movie temperature level, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a consistent rate on press, flood between prints, and control store humidity.
A third risk is overlooking fabric irregularity. If you change blanks mid-run due to the fact that a size is out of stock, you might see shifts in color. Develop contingency into your purchasing. For brands preparing ahead, choosing a basic blank and locking it with your supplier minimizes surprises.
If your top priority is soft, breathable custom-made garments that clients keep wearing, water based inks are worth the knowing curve. Use standard water based upon light garments for clean detail and matte color. Transfer to discharge on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for small color variation with discharge, specifically across dye lots. For bulk t t-shirt orders, build in a single round of physical sampling on the real blanks you will use, then record your settings and keep back a reference t-shirt for quality control.
If you run a print as needed catalog, take a water based pill of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a consumer rubs their thumb across a print and feels absolutely nothing but fiber, you've won. That's the minute water based and discharge provide, and why they should have a place in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515