Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant tension: the push for softer, more breathable prints that individuals in fact delight in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has actually shaped how I choose inks, pretreatments, and materials for customized apparel projects. For many years, I've learned that water based inks and discharge printing are not just buzzwords, they are useful tools that produce stunning outcomes and genuine convenience, particularly for T t-shirt printing that requires to stand up to daily wear.
If you run a brand, manage bulk t t-shirt orders, or simply desire your customized t-shirts to seem like a favorite from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The right choice can make the distinction in between a t-shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a movie, water based inks take in into the fibers. That single characteristic explains most of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently equivalent from the t-shirt itself. For custom-made t shirts designed for convenience, this is the course to the "retail feel" clients ask for.
There are 2 main families: basic water based and discharge. Standard water based ink works best on white or really light shirts. It can cover mid-tones with the right base, once you move into darker materials, you either require a much heavier print or you change to discharge. Release printing uses an activator that lifts the color from the fabric throughout curing, essentially whitening the shirt's dye in the printed locations, then changes it with your pigment. Completion result is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks usually contain fewer unpredictable natural substances than solvent-heavy options and prevent PVC altogether. Many are certified with strict standards like Oeko-Tex or meet retail testing regimes that prohibit particular phthalates and heavy metals. If you offer customized garments into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at store practices: purification on your washout booth, reclaim chemistry, energy use on your dryer, and even material sourcing. Discharge needs an activator, generally based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run store, exposure is controlled and waste is recorded. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability hides in the details.
Most people do not purchase a graphic tee since they love the ink. They purchase it due to the fact that the garment looks good, feels good, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, give you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes receive from heavy plastisol when you stretch throughout the chest.
I keep a rack of contrast t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear customers choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own color. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the very same brand and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, but you're still dealing with a background that is moving as the dye is removed.
That's not a flaw, it belongs to the medium. Numerous designers embrace the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for business logo designs, either order test prints on the specific batch you plan to use or think about a water based underbase or hybrid technique where needed. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge just lifts the cotton portion. That suggests your color fills the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, brilliant color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on completed garments, anticipate small voids along joints, which some clients like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which works on material but can lock a mesh if you pause too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a constant range, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will see how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant speed, lower clogging.
Curing is where lots of newbies miss the mark. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the difference. You desire even heat throughout the belt and adequate dwell to reach the maker's cure temperature throughout the ink layer, not just at the surface area. T-shirts leaving the tunnel must be dry to the touch without any cool spots. For discharge, the chemical reaction occurs throughout this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual evaluation for fading and cracking. Water based prints reveal steady softening and a gentle fade in the very same method denim relaxes. Plastisol's failure mode is different, typically cracking if the ink layer is too thick or under-cured. For tailored t-shirts that need to look good at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, but you invest more in shop environment and drying capability. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, autos perform at comparable speeds. Where it actually pays off remains in viewed value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires over night turn-around and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t shirts with numerous colorways and need to keep stock flexible, a versatile water based scheme on light garments is effective, given that you prevent the weight and stiffness that accumulate with numerous underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, particularly on high-absorbency cotton. If you require razor unfavorable space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of relying on a digital mockup. A mockup can not catch fiber interaction and dye lift.
There are times I encourage versus discharge. Polyester-rich garments are top of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor odor during treating, discharge days in the store are visible. Well-managed airflow mitigates this, but it belongs to the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the effect is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that removes uncertainty. A simple method keeps surprises at bay and helps you hit due dates for launches and events.
Print as needed has its own restraints: quick art modifications, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you organize catalog strategy. For styles that are high volume even at little day-to-day quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship very same day with water based prints that feel better than many DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Customers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I explain what they are purchasing. They get the soft hand that retail customers correspond with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, frequently a little uplift that can be reduced the effects of by selecting a somewhat more cost-effective blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at premium rate points, the enhancement in perceived worth more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Satisfying both lets you serve a larger best fabrics for DTG printing market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it easy and reasonable so the shirt endures real life. Water based and discharge prints choose cooler washes and lower dryer heat, however they will endure normal laundering if correctly cured. I suggest phrasing care ideas in human terms on item pages: wash cold with similar colors, tumble dry low, avoid fabric softeners if you desire colors to stay crisp. The last note matters due to the fact that some conditioners can deposit films on fibers, dulling the visual contrast of great lines.
I have actually evaluated these directions in-house: two similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat quicker fading of mid-tones, yet still looked good. That tolerance originates from right cure, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of battling joints, design for them. Use tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brand names that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The completed garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that seemed like it resided in the material. We tested on 3 blacks from two mills. Batch one lifted cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temp for the best duration. Use a donut probe or an embedded thermochromic strip to measure true ink film temperature level, not just clothes dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood between prints, and control store humidity.
A 3rd mistake is neglecting material irregularity. If you switch blanks mid-run due to the fact that a size is out of stock, you might see shifts in color. Develop contingency into your acquiring. For brands planning ahead, picking a standard blank and locking it with your supplier reduces surprises.
If your top priority is soft, breathable custom-made garments that clients keep using, water based inks deserve the learning curve. Use standard water based on light garments for tidy information and matte color. Transfer to discharge on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for minor color variance with discharge, especially throughout dye lots. For bulk t t-shirt orders, integrate in a single round of physical tasting on the real blanks you will use, then record your settings and hold back a reference t-shirt for quality control.
If you run a print on demand brochure, take a water based capsule of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels nothing however fiber, you've won. That's the minute water based and discharge provide, and why they should have a place in any severe store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515