Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that people actually enjoy using, and the need to produce at scale without compromising the environment or the bottom line. That tension has shaped how I select inks, pretreatments, and fabrics for custom-made garments tasks. Over the years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce stunning results and real convenience, especially for T t-shirt printing that needs to stand up to everyday wear.
If you run a brand name, manage bulk t shirt orders, or merely desire your individualized t-shirts to seem like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The ideal option can make the difference in between a t-shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a film, water based inks absorb into the fibers. That single particular explains most of the benefits and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently equivalent from the shirt itself. For customized t t-shirts designed for convenience, this is the path to the "retail feel" customers ask for.
There are 2 primary families: basic water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the ideal base, but once you move into darker fabrics, you either need a much heavier print or you switch to release. Release printing uses an activator that raises the color from the material throughout treating, essentially whitening the shirt's dye in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks generally include fewer unpredictable natural substances than solvent-heavy options and avoid PVC completely. Lots of are compliant with strict requirements like Oeko-Tex or satisfy retail testing programs that prohibit certain phthalates and heavy metals. If you offer customized clothing into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You also need to look at store practices: purification on your washout cubicle, reclaim chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge needs an activator, generally based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is managed and waste is captured. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability hides in the details.
Most people do not buy merchandise printing a graphic tee due to the fact that they enjoy the ink. They purchase it due to the fact that the garment looks good, feels great, and keeps that character after duplicated cleaning. Water based inks, including discharge, offer you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes obtain from heavy plastisol when you stretch throughout the chest.
I keep a shelf of comparison t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear clients prefer, however the wearer feedback corresponds: water based seems like a premium garment.

Color precision with water based inks refers control, humidity, and the material's own dye. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. same-day embroidery Various dye lots discharge in a different way, even within the same brand name and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, but you're still dealing with a background that is moving as the color is removed.
That's not a defect, it becomes part of the medium. Many designers embrace the somewhat classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color recreation for business logos, either order test prints on the precise batch you prepare to use or consider a water based underbase or hybrid technique where needed. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton part. That suggests your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, vivid color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on ended up garments, anticipate small voids along seams, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which works on fabric however can lock a mesh if you pause too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting option at hand, and keep the print space humidity in a consistent range, roughly 45 to 55 percent, to prevent early drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent pace, minimize clogging.
Curing is where lots of novices miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough air flow makes the distinction. You desire even heat across the belt and sufficient dwell to reach the producer's treatment temperature level throughout the ink layer, not just at the surface area. Shirts exiting the tunnel needs to be dry to the touch without any cool areas. For discharge, the chemical reaction takes place throughout this cure, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends on proper treatment and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I measure sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual inspection for fading and splitting. Water based prints show progressive softening and a mild fade in the same way jeans relaxes. Plastisol's failure mode is different, typically breaking if the ink layer is too thick or under-cured. For individualized t-shirts that require to look good at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, however the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, automobiles run at comparable speeds. Where it truly settles is in viewed worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires overnight turnaround and art changes constantly, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t shirts with numerous colorways and must keep inventory flexible, a flexible water based combination on light garments is efficient, given that you prevent the weight and stiffness that accumulate with multiple underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can complete with discharge, specifically on high-absorbency cotton. If you require razor negative space, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than relying on a digital mockup. A mockup can not capture fiber interaction and color lift.
There are times I encourage versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, specifically with sublimated or cationic-dyed performance t-shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a monogramming client is delicate to minor smell during treating, discharge days in the shop are noticeable. Well-managed air flow alleviates this, however it is part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that gets rid of guesswork. An easy technique keeps surprises at bay and assists you struck deadlines for launches and events.
Print on demand has its own restrictions: quick art changes, little batch sizes, and the requirement for a broad color range. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you organize brochure technique. For designs that are high volume even at small everyday quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship exact same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol job, I explain what they are purchasing. They get the soft hand that retail clients correspond with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, typically a little uplift that can be neutralized by selecting a somewhat more economical blank. If the program is for wholesale t shirts entering into boutiques or e-commerce at premium cost points, the improvement in viewed worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, options matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Satisfying both lets you serve a wider market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and realistic so the t-shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will sustain typical laundering if appropriately treated. I suggest phrasing care pointers in human terms on item pages: wash cold with similar colors, topple dry low, avoid material softeners if you want colors to stay crisp. The last note matters because some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.
I have actually evaluated these directions in-house: 2 identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly faster fading of mid-tones, yet still looked good. That tolerance originates from proper treatment, not from babying the garment.

All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling joints, design for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brands that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the style necessitates it. The ended up garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that seemed like it lived in the material. We tested on three blacks from two mills. Batch one raised easily with discharge, batch two remained stubbornly dark in pretreatment solution the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: constant tees across 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never hit the needed temp for the right period. Utilize a donut probe or an embedded thermochromic strip to measure real ink movie temperature level, not just dryer setpoints. Screen lockup is the second. Keep a consistent rate on press, flood between prints, and control store humidity.
A 3rd pitfall is ignoring material variability. If you change blanks mid-run since a size is out of stock, you might see shifts in color. Construct contingency into your acquiring. For brands preparing ahead, picking a standard blank and locking it with your provider reduces surprises.

If your priority is soft, breathable custom-made garments that consumers keep using, water based inks deserve the learning curve. Use basic water based on light garments for clean detail and matte color. Relocate to release on 100 percent cotton when you desire the softest prints on dark shirts. Accept and prepare for minor color variance with discharge, particularly throughout color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then record your settings and keep back a recommendation shirt for quality control.
If you operate a print as needed catalog, carve out a water based capsule of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol walk-in embroidery or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a client rubs their thumb across a print and feels nothing but fiber, you've won. That's the minute water based and discharge provide, and why they should have a location in any severe shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515