Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in continuous stress: the push for softer, more breathable prints that individuals really delight in wearing, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has actually formed how I choose inks, pretreatments, and materials for custom clothing jobs. For many years, I have actually found out that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce lovely outcomes and genuine convenience, specifically for T t-shirt printing that requires to withstand day-to-day wear.
If you run a brand name, handle bulk t t-shirt orders, or just desire your individualized t-shirts to seem like a preferred from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The ideal option can make the difference in between a shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a movie, water based inks take in into the fibers. That single particular discusses the majority of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the shirt itself. For custom-made t shirts developed for comfort, this is the path to the "retail feel" clients ask for.
There are two main households: standard water based and discharge. Standard water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the ideal base, but once you move into darker fabrics, you either require a much heavier print or you switch to discharge. Discharge printing utilizes an activator that lifts the color from the material throughout treating, essentially bleaching the shirt's color in the printed locations, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks normally contain fewer unstable organic compounds than solvent-heavy options and prevent PVC completely. Many are certified with stringent standards like Oeko-Tex or meet retail testing routines that ban particular phthalates and heavy metals. If you offer custom apparel into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You likewise need to take a look at shop practices: purification on your washout cubicle, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge needs an activator, normally based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run store, direct exposure is controlled and waste is caught. If you're using print as needed with a partner, DTG t-shirt printing ask how they deal with discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability hides in the details.
Most people do not buy a graphic tee due to the fact that they love the ink. They buy it because the garment looks great, feels good, and keeps that character after duplicated washing. Water based inks, consisting of discharge, offer you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often get from heavy plastisol when you stretch across the chest.
I keep a shelf of comparison shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear clients choose, however the wearer feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different dye lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, but you're still working with a background that is shifting as the dye is removed.
That's not a flaw, it's part of the medium. Many designers accept the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color reproduction for corporate logos, either order test prints on the precise batch you prepare to utilize or consider a water based underbase or hybrid approach where required. For wholesale t t-shirts that will be distributed nationally, put example approvals into your process so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton part. That indicates your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, vibrant color on a poly blend, traditional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents seams, folds, and irregular pressure that show up as blank micro-gaps. If you should print on finished garments, expect little voids along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which works on fabric but can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting option at hand, and keep the print space humidity in a constant variety, approximately 45 to 55 percent, to avoid early drying. Manual press operators will see how quickly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent pace, decrease clogging.
Curing is where many beginners fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the distinction. You want even heat throughout the belt and adequate dwell to reach the manufacturer's remedy temperature level throughout the ink layer, not just at the surface area. Shirts leaving the tunnel ought to be dry to the touch without any cool spots. For discharge, the chain reaction happens throughout this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon correct remedy and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual evaluation for fading and breaking. Water based prints reveal progressive softening and a mild fade in the very same way denim unwinds. Plastisol's failure mode is different, typically splitting if the ink layer is too thick or under-cured. For personalized t-shirts that require to look good at a family reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, automobiles perform at comparable speeds. Where it really pays off remains in perceived value. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that needs over night turnaround and art modifications constantly, direct-to-garment or DTF may be much better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t t-shirts with numerous colorways and need to keep inventory flexible, a flexible water based scheme on light garments is efficient, because you prevent the weight and tightness that collect with several underbases in plastisol.
Design planning starts with the material color and ends with treating. On light t-shirts, lean into detail: thin custom apparel lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, specifically on high-absorbency cotton. If you require razor unfavorable area, separate the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than relying on a digital mockup. A mockup can not record fiber interaction and dye lift.
There are times I advise against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to small smell throughout treating, discharge days in the shop are noticeable. Well-managed air flow reduces this, but it belongs to the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles often sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that removes guesswork. A simple method keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own constraints: quick art changes, little batch sizes, and the need for a broad color range. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange brochure technique. For designs that are high volume even at small everyday quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel much better than numerous DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.

If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.

When clients ask why a water based or discharge print costs more than a standard plastisol task, I discuss what they are purchasing. They get the soft hand that retail clients equate with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, frequently a small uplift that can be reduced the effects of by picking a somewhat more cost-effective blank. If the program is for wholesale t shirts going into shops or e-commerce at exceptional cost points, the improvement in viewed value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, alternatives matter. Offer a base price with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for expense, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it simple and practical so the shirt endures real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will endure typical laundering if correctly cured. I suggest phrasing care suggestions in human terms on item pages: wash cold with comparable colors, tumble dry low, avoid fabric softeners if you desire colors to remain crisp. The last note matters because some conditioners can transfer movies on fibers, dulling the visual contrast of great lines.
I've evaluated these directions in-house: two identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly much faster fading of mid-tones, yet still looked good. That tolerance comes from appropriate cure, not from babying the garment.
All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating joints, design for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The finished garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a local music celebration. The client desired soft black tees with a sunburst print that felt like it lived in the fabric. We tested on three blacks from 2 mills. Batch one raised cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The result: constant tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the team to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temperature for the right duration. Use a donut probe or an ingrained thermochromic strip to determine true ink movie temperature level, not simply dryer setpoints. Screen lockup is the second. Keep a constant speed on press, flood in between prints, and control store humidity.
A third risk is ignoring fabric irregularity. If you change blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Build contingency into your purchasing. For brands preparing ahead, choosing a standard blank and locking it with your provider lowers surprises.
If your top priority is soft, breathable custom apparel that clients keep wearing, water based inks are worth the learning curve. Usage standard water based on light garments for clean information and matte color. Move to discharge on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for minor color variance with discharge, specifically throughout color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will use, then document your settings and keep back a recommendation t-shirt for quality control.
If you operate a custom youth t shirts print on demand brochure, carve out a water based capsule of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb across a print and feels nothing but fiber, you have actually won. That's the minute water based and discharge provide, and why they should have a location in any severe shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515