Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that individuals in fact enjoy using, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has actually shaped how I choose inks, pretreatments, and fabrics for custom clothing jobs. For many years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce lovely results and genuine convenience, specifically for T t-shirt printing that requires to stand up to day-to-day wear.
If you run a brand name, handle bulk t t-shirt orders, or merely want your tailored shirts to feel like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The right option can make the distinction in between a t-shirt that gets used as soon as and one that becomes the go-to.
Water jacket embroidery based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a film, water based inks absorb into the fibers. That single particular explains the majority of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently identical from the t-shirt itself. For custom-made t t-shirts developed for convenience, this is the path to the "retail feel" clients ask for.
There are 2 main families: standard water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, once you move into darker materials, you either require a heavier print or you change to release. Release printing utilizes an activator that lifts the color from the material throughout treating, basically whitening the t-shirt's dye in the printed areas, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks typically contain fewer unpredictable natural compounds than solvent-heavy alternatives and avoid PVC altogether. Lots of are certified with rigorous requirements like Oeko-Tex or satisfy retail screening regimes that ban specific phthalates and heavy metals. If you sell customized garments into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You likewise need to take a look at store practices: purification on your washout booth, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation requirements. In a well-run shop, exposure is controlled and waste is captured. If you're utilizing print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most individuals do not purchase a graphic tee since they like the ink. They buy it because the garment looks excellent, feels great, and keeps that character after repeated washing. Water based inks, including discharge, offer you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes receive from heavy plastisol when you stretch across the chest.
I keep a shelf of comparison shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear customers prefer, but the user feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light shirts, basic water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different dye lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, however you're still dealing with a background that is shifting as the color is removed.
That's not a defect, it belongs to the medium. Many designers accept the slightly vintage character eco-friendly t shirts of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for business logos, either order test prints on the exact batch you prepare to utilize or consider a water based underbase or hybrid approach where required. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your process so there are no surprises custom patches near me at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge just raises the cotton part. That suggests your color fills the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, brilliant color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on finished garments, expect little spaces along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry much faster in the screen, which works on fabric but can lock a mesh if you pause too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a stable variety, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant pace, minimize clogging.
Curing is where numerous beginners fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the distinction. You want even heat throughout the belt and enough dwell to reach the maker's remedy temperature level throughout the ink layer, not just at the surface. Shirts exiting the tunnel needs to be dry to the touch without any cool areas. For discharge, the chain reaction occurs during this cure, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon proper cure and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and splitting. Water based prints reveal progressive softening and a mild fade in the exact same way jeans relaxes. Plastisol's failure mode is different, generally splitting if the ink layer is too thick or under-cured. For customized shirts that require to look good at a household reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be a little slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, autos perform at similar speeds. Where it truly pays off is in viewed value. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires over night turnaround and art modifications constantly, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t shirts with numerous colorways and should keep inventory versatile, a versatile water based combination on light garments is effective, since you avoid the weight and tightness that build up with several underbases in plastisol.
Design preparation begins with the fabric color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can complete with discharge, specifically on high-absorbency cotton. If you require razor negative area, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of relying on a digital mockup. A mockup can not catch fiber interaction and color lift.
There are times I encourage versus discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed efficiency shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small smell during treating, discharge days in the store are obvious. Well-managed airflow mitigates this, but it is part of the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles often sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that eliminates uncertainty. An easy technique keeps surprises at bay and assists you struck due dates for launches and events.
Print as needed has its own restraints: quick art modifications, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually become the default, however water based screen printing can fit POD if you organize brochure strategy. For designs that are high volume even at little day-to-day amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship exact same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I explain what they are purchasing. They get the soft hand that retail customers equate with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, frequently a small uplift that can be neutralized by choosing a slightly more affordable blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at superior cost points, the improvement in perceived value more than covers the change.
For customized shirts, such as charity runs or college clubs, alternatives matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it simple and practical so the t-shirt endures reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will endure regular laundering if properly treated. I suggest phrasing care pointers in human terms on product pages: wash cold with comparable colors, topple dry low, prevent fabric softeners if you desire colors to stay crisp. The last note matters due to the fact that some conditioners can transfer movies on fibers, dulling the visual contrast of fine lines.
I've checked these instructions in-house: 2 similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat faster fading of mid-tones, yet still looked great. That tolerance comes from proper treatment, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling seams, style for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell minimal runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The ended up garments read as custom-made from a range, which is the goal.
One spring we ran a series for a local music celebration. The customer desired soft black tees with a sunburst print that seemed like it lived in the fabric. We tested on three blacks from two mills. Batch one lifted cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The outcome: consistent tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink family. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temperature for the ideal duration. Use a donut probe or an ingrained thermochromic strip to measure real ink movie temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood between prints, and control store humidity.
A 3rd risk is disregarding fabric variability. If you switch blanks mid-run since a size runs out stock, you may see shifts in color. Develop contingency into your getting. For brands planning ahead, selecting a basic blank and locking it with your provider decreases surprises.
If your concern is soft, breathable customized apparel that clients keep wearing, water based inks are worth the learning curve. Use basic water based upon light garments for tidy detail and matte color. Transfer to discharge on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for small color variance with discharge, especially across color lots. For bulk t t-shirt orders, build in a single round of physical tasting on the actual blanks you will utilize, then custom t-shirt printing record your settings and keep back a reference t-shirt for quality control.
If you run a print on demand brochure, take a water based capsule of finest sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a customer rubs their thumb throughout a print and feels absolutely nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they are worthy of a place in any serious store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515