Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that individuals in fact enjoy using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That stress has actually shaped how I choose inks, pretreatments, and materials for custom clothing jobs. Over the years, I have actually discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely outcomes and real convenience, particularly for T shirt printing that requires to withstand everyday wear.
If you run a brand, manage bulk t t-shirt orders, or simply want your personalized t-shirts to feel like a preferred from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The best choice can make the difference in between a t-shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks take in into the fibers. That single characteristic explains most of the advantages and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically equivalent from the shirt itself. For customized t t-shirts created for comfort, this is the path to the "retail feel" clients ask for.
There are two main households: standard water based and discharge. Basic water based ink works best on white or very light shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either need a heavier print or you change to release. Release printing uses an activator that lifts the color from the fabric during curing, basically whitening the shirt's color in the printed areas, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks normally include less unpredictable organic substances than solvent-heavy alternatives and prevent PVC entirely. Many are compliant with strict standards like Oeko-Tex or fulfill retail testing routines that prohibit particular phthalates and heavy metals. If you offer customized clothing into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You likewise require to look at shop practices: purification on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, typically based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is caught. If you're using print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability conceals in the details.
Most individuals do not purchase a graphic tee since they enjoy the ink. They buy it since the garment looks good, feels great, and keeps that character after repeated cleaning. Water based inks, including discharge, provide you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes receive from heavy plastisol when you stretch throughout the chest.
I keep a rack of comparison t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients choose, however the wearer feedback corresponds: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the material's own dye. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different dye lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, however you're still dealing with a background that is moving as the color is removed.
That's not a flaw, it belongs to the medium. Lots of designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color reproduction for corporate logo designs, either order test prints on the precise batch you plan to utilize or consider a water based underbase or hybrid method where required. For wholesale t shirts that will be dispersed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only raises the cotton part. That implies your color fills the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, brilliant color on a poly mix, standard plastisol or a embroidery shirts specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you need to print on finished garments, expect little voids along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which is useful on fabric however can lock a mesh if you stop briefly too long. Running a higher mesh for information, state 230 to 305, keeps the deposit thin and design your own t shirt crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a steady range, approximately 45 to 55 percent, to prevent early drying. Manual press operators will see how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent rate, minimize clogging.
Curing is where many novices fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the difference. You want even heat throughout the belt and adequate dwell to reach the producer's treatment temperature level throughout the ink layer, not simply at the surface area. T-shirts exiting the tunnel ought to be dry to the touch with no cool spots. For discharge, the chemical reaction occurs throughout this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlive the t-shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and splitting. Water based prints reveal gradual softening and a gentle fade in the same way jeans relaxes. Plastisol's failure mode is various, generally splitting if the ink layer is too thick or under-cured. For customized t-shirts that require to look good at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, vehicles perform at similar speeds. Where it actually settles remains in perceived value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires overnight turn-around and art changes continuously, direct-to-garment or DTF may be much better operationally, though both have their own ecological and feel compromises. When you handle wholesale t shirts with multiple colorways and must keep stock flexible, a flexible water based palette on light garments is efficient, because you prevent the weight and tightness that accumulate with multiple underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can complete with discharge, specifically on high-absorbency cotton. If you require razor unfavorable area, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than relying on a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed efficiency t-shirts, causing ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small odor throughout treating, discharge days in the shop are visible. Well-managed airflow mitigates this, but it belongs to the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles often sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you may require a eco-friendly garment printing water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that removes guesswork. A simple technique keeps surprises at bay and helps you hit deadlines for launches and events.
Print as needed has its own constraints: fast art modifications, little batch sizes, and the need for a broad color range. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you arrange brochure technique. For designs that are high volume even at small daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel better than many DTG outputs. It works best when you keep art to one or two colors and select light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I discuss what they are purchasing. They get the soft hand that retail clients correspond with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, often a little uplift that can be reduced the effects of by picking a slightly more affordable blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at exceptional rate points, the enhancement in perceived value more than covers the change.
For personalized shirts, such as charity runs or college clubs, options matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Fulfilling both lets you serve a broader market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it basic and practical so the t-shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will endure typical laundering if effectively cured. I suggest phrasing care ideas in human terms on item pages: wash cold with comparable colors, tumble dry low, avoid material softeners if you want colors to stay crisp. The last note matters because some conditioners can transfer films on fibers, dulling the visual contrast of fine lines.
I've evaluated these directions in-house: 2 identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat quicker fading of mid-tones, yet still looked excellent. That tolerance originates from correct cure, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling seams, style for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer minimal runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The finished garments check out as customized from a range, which is the goal.
One spring we ran a series for a local music festival. The client wanted soft black tees with a sunburst print that felt like it resided in the fabric. We tested on three blacks from 2 mills. Batch one lifted cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the reaction. The result: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temp for the best duration. Utilize a donut probe or an ingrained thermochromic strip to determine real ink film temperature, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant pace on press, flood between prints, and control store humidity.
A 3rd mistake is neglecting material variability. If you switch blanks mid-run because a size is out of stock, you might see shifts in color. Develop contingency into your buying. For brand names planning ahead, choosing a standard blank and locking it with your supplier lowers surprises.
If your top priority is soft, breathable customized garments that consumers keep using, water based inks deserve the knowing curve. Use standard water based on light garments for tidy detail and matte color. Move to release on one hundred percent cotton Flash curing when you want the softest prints on dark t-shirts. Accept and plan for slight color variation with discharge, especially across color lots. For bulk t shirt orders, build in a single round of physical sampling on the actual blanks you will use, then document your settings and hold back a recommendation t-shirt for quality control.
If you run a print as needed catalog, carve out a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not just on screens. When a client rubs their thumb throughout a print and feels absolutely nothing but fiber, you have actually tri-blend t shirts won. That's the moment water based and discharge deliver, and why they should have a location in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515