Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that people in fact delight in using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has actually formed how I pick inks, pretreatments, and materials for custom apparel jobs. Throughout the years, I've found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning outcomes and real convenience, especially for T t-shirt printing that needs to stand up to everyday wear.
If you run a brand, manage bulk t shirt orders, or merely desire your individualized t-shirts to feel like a preferred from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The best option can make the distinction in between a shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a film, water based inks soak up into the fibers. That single characteristic explains most of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is often identical from the shirt itself. For custom t shirts designed for comfort, this is the path to the "retail feel" clients ask for.
There are 2 primary households: standard water based and discharge. Basic water based ink works best on white or very light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either require a heavier print or you change to release. Discharge printing uses an activator that raises the dye from the fabric throughout treating, essentially bleaching the shirt's dye in the printed areas, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically consist of fewer unpredictable organic compounds than solvent-heavy options and prevent PVC altogether. Lots of are compliant with stringent standards like Oeko-Tex or fulfill retail testing regimes that prohibit specific phthalates and heavy metals. If you offer customized clothing into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.

That said, "eco friendly" is a system concept. Ink is one part. You also need to take a look at store practices: filtration on your washout cubicle, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is caught. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls called in. Real sustainability conceals in the details.
Most people do not buy a graphic tee because they enjoy the ink. They buy it due to the fact that the garment looks good, feels good, and keeps that character after duplicated cleaning. Water based inks, including discharge, offer you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you extend throughout the chest.
I keep a rack of comparison shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients prefer, but the wearer feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, standard water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Different dye lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, however you're still working with a background that is shifting as the dye is removed.
That's not a flaw, it becomes part of the medium. Numerous designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color recreation for corporate logo designs, either order test prints on the specific batch you plan to utilize or consider a water based underbase or hybrid technique where required. For wholesale t shirts that will be distributed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only lifts the cotton part. That suggests your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks intentional if you design for it. If your objective is flat, vivid color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on completed garments, anticipate little voids along seams, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which works on material but can lock a mesh if you pause too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting service at hand, and keep the print space humidity in a constant range, roughly 45 to 55 percent, to avoid early drying. Manual press operators will observe how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent rate, lower clogging.
Curing is where lots of beginners miss the mark. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with enough air flow makes the difference. You want even heat throughout the belt and sufficient dwell to reach the producer's cure temperature throughout the ink layer, not simply at the surface area. T-shirts leaving the tunnel ought to be dry to the touch without any cool areas. For discharge, the chemical reaction happens during this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and cracking. Water based prints reveal gradual softening and a gentle fade in the same way jeans unwinds. Plastisol's failure mode is various, usually splitting if the ink layer is too thick or under-cured. For personalized t-shirts that need to look proficient at a household reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, autos run at comparable speeds. Where it truly pays off is in perceived worth. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that needs overnight turnaround and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel compromises. When you take on wholesale t t-shirts with numerous colorways and should keep stock flexible, a flexible water based combination on light garments is effective, given that you avoid the weight and stiffness that accumulate with multiple underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill in with discharge, particularly on high-absorbency cotton. If you need razor negative area, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of relying on a digital mockup. A mockup can not catch fiber interaction and color lift.
There are times I encourage against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor throughout treating, discharge days in the shop are noticeable. Well-managed air flow reduces this, however it is part of the process.
If a customer requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the result is more satin than real metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that removes uncertainty. An easy method keeps surprises at bay and assists you struck deadlines for launches and events.

Print as needed has its own restrictions: quick art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has become the default, but water based screen printing can fit POD if you arrange brochure strategy. For styles that are high volume even at small daily quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol task, I describe what they are purchasing. They get the soft hand that retail consumers equate with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, often a small uplift that can be reduced the effects of by selecting a slightly more economical blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at exceptional cost points, the improvement in viewed value more than covers the change.
For individualized shirts, such as charity runs or college clubs, alternatives matter. Offer a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for expense, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it easy and reasonable so the t-shirt survives reality. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will sustain regular laundering if appropriately treated. I suggest phrasing care ideas in human terms on item pages: wash cold with comparable colors, topple dry low, prevent fabric conditioners if you want colors to stay crisp. The last note matters due to the fact that some conditioners can transfer movies on fibers, dulling the visual contrast of great lines.
I've tested these instructions in-house: 2 identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little much faster fading of mid-tones, yet still looked great. That tolerance comes from proper cure, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating seams, design for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brands that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The completed garments check out as custom from a range, which is the goal.
no minimum orderOne spring we ran a series for a regional music festival. The client wanted soft black tees with a sunburst print that felt like it lived in the fabric. We sampled on 3 blacks from two mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: constant tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temp for the right duration. Utilize a donut probe or an ingrained thermochromic strip to determine true ink film temperature, not just clothes dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood in between prints, and control store humidity.
A 3rd risk is neglecting material variability. If you change blanks mid-run because a size is out of stock, you might see shifts in color. Construct contingency into your acquiring. For brand names preparing ahead, choosing a basic blank and locking it with your provider minimizes surprises.
If your concern is soft, breathable customized clothing that clients keep using, water based inks are worth the knowing curve. Use standard water based on light garments for clean detail and matte color. Relocate to release on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for small color variance with discharge, particularly throughout color lots. For bulk t t-shirt orders, build in a single round of physical tasting on the real blanks you will use, then document your settings and hold back a recommendation shirt for quality control.
If you run a print on demand brochure, carve out a water based pill of best sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a client rubs their thumb throughout a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they should have a location in any severe store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515