Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in constant tension: the push for softer, more breathable prints that people actually take pleasure in using, and the need to produce at scale without compromising the environment or the bottom line. That stress has actually formed how I select inks, pretreatments, and fabrics for customized clothing projects. For many years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely results and genuine convenience, especially for T shirt printing that requires to stand up to day-to-day wear.
If you run a brand, handle bulk t t-shirt orders, or just want your individualized shirts to feel like a preferred from the very first wash, it deserves comprehending how these ink systems work, where they shine, and where they require care. The right choice can make the distinction between a t-shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a film, water based inks take in into the fibers. That single particular explains the majority of the benefits and compromises. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically equivalent from the shirt itself. For custom t shirts designed for comfort, this is the course to the "retail feel" customers ask for.
There are two main households: standard water based and discharge. Basic water based ink works best on white or very light shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either need a heavier print or you change to release. Release printing uses an activator that lifts the dye from the fabric throughout curing, basically whitening the t-shirt's dye in the printed areas, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks usually include less unstable natural substances than solvent-heavy options and avoid Minimum order quantity PVC altogether. Numerous are compliant with strict requirements like Oeko-Tex or meet retail testing programs that prohibit particular phthalates and heavy metals. If you sell customized clothing into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You also need to take a look at shop practices: filtering on your washout cubicle, reclaim chemistry, energy usage on your dryer, and even material sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run store, direct exposure is controlled and waste is captured. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability conceals in the details.
Most individuals do not purchase a graphic tee because they love the ink. They buy it since the garment looks great, feels great, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, give you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often receive from heavy plastisol when you extend throughout the chest.
I keep a shelf of contrast shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients choose, but the wearer feedback corresponds: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own dye. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Various dye lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, however you're still working with a background that is moving as the color is removed.
That's not a defect, it's part of the medium. Lots of designers accept the slightly vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand demands laser-precise color reproduction for business logos, either order test prints on the specific batch you plan to utilize or consider a water based underbase or hybrid technique where required. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only raises the cotton portion. That indicates your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks intentional if you style for it. If your goal is flat, vibrant color on a poly blend, standard plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on completed garments, anticipate small voids along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting option at hand, and keep the print room humidity in a consistent range, approximately 45 to 55 percent, to avoid early drying. Manual press operators will see how quickly a standard water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent speed, decrease clogging.
Curing is where lots of newbies miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the distinction. You desire even heat throughout the belt and sufficient dwell to reach the producer's treatment temperature throughout the ink layer, not just at the surface. Shirts exiting the tunnel needs to be dry to the touch without any cool areas. For discharge, the chain reaction occurs throughout this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and splitting. Water based prints show steady softening and a gentle fade in the same way jeans relaxes. Plastisol's failure mode is various, generally breaking if the ink layer is too thick or under-cured. For tailored shirts that require to look good at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be a little slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, cars perform at similar speeds. Where it truly settles is in perceived value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs overnight turnaround and art changes constantly, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel compromises. When you take on wholesale t shirts with multiple colorways and should keep stock flexible, a flexible water based scheme on light garments is efficient, given that you prevent the weight and tightness that accumulate with multiple underbases in plastisol.
Design planning begins with the fabric color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can complete with discharge, specifically on high-absorbency cotton. If you need razor negative space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of trusting a digital mockup. A mockup can not record fiber interaction and color lift.
There are times I advise against discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed performance shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small smell throughout treating, discharge days in the shop are noticeable. Well-managed air flow reduces this, but it belongs to the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the effect is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that gets rid of uncertainty. A basic technique keeps surprises at bay and assists DTF vs DTG you struck due dates for launches and events.
Print as needed has its own restraints: fast art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has become the default, however water based screen printing can fit POD if you organize brochure technique. For styles that are high volume even at little everyday quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship exact same day with water based prints that feel better than lots of DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Customers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol task, I describe what they are purchasing. They get the soft hand that retail clients equate with quality, enhanced breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, frequently a small uplift that can be neutralized by choosing a slightly more economical blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at exceptional rate points, the improvement in perceived worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, alternatives matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it simple and reasonable so the t-shirt survives reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will sustain regular laundering if effectively cured. I suggest phrasing care pointers in human terms on item pages: wash cold with similar colors, topple dry low, prevent fabric conditioners if you desire colors to remain crisp. The last note matters because some softeners can transfer movies on fibers, dulling the visual contrast of great lines.
I have actually tested these instructions in-house: 2 identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly faster fading of mid-tones, yet still looked excellent. That tolerance originates from correct remedy, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting seams, design for them. Usage tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer restricted runs can validate cut-and-sew for 100 to 300 pieces if the style necessitates it. The ended up garments check out as custom from a distance, which is the goal.
One spring we ran a series for a regional music festival. The client wanted soft black tees with a sunburst print that felt like it lived in the material. We sampled on 3 blacks from 2 mills. Batch one raised cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The result: consistent tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the team to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temperature for the right duration. Utilize a donut probe or an embedded thermochromic strip to measure real ink film temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent rate on press, flood in between prints, and control store humidity.
A 3rd mistake is disregarding fabric variability. If you switch blanks mid-run since a size is out of stock, you might see shifts in color. Build contingency into your acquiring. For brands preparing ahead, choosing a standard blank and locking it with your supplier reduces surprises.
If your concern is soft, breathable custom-made clothing that consumers keep wearing, water based inks deserve the knowing curve. Use basic water based upon light garments for tidy detail and matte color. Move to release on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and prepare for small color variance with discharge, particularly throughout dye lots. For bulk t t-shirt orders, integrate in a single round of physical tasting on the real blanks you will utilize, then document your settings and hold back a recommendation t-shirt for quality control.
If you run a print as needed catalog, take a water based pill of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels nothing but fiber, you've won. That's the polyester vs cotton shirts minute water based and discharge deliver, and why they deserve a place in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515