Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in continuous stress: the push for softer, more breathable prints that people in fact delight in using, and the need to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I select inks, pretreatments, and materials for custom clothing tasks. Throughout the years, I've found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely outcomes and genuine comfort, particularly for T shirt printing that requires to stand up to daily wear.
If you run a brand name, manage bulk t t-shirt orders, or just desire your tailored shirts to seem like a preferred from the first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The right option can make the difference in between a shirt that gets worn as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks soak up into the fibers. That single characteristic discusses most of the benefits and compromises. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often identical from the shirt itself. For customized t shirts developed for comfort, this is the path to the "retail feel" clients ask for.
There are 2 primary families: standard water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either need a much heavier print or you change to discharge. Release printing utilizes an activator that raises the color from the fabric during treating, essentially bleaching the shirt's color in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks usually contain less unstable natural compounds than solvent-heavy alternatives and prevent PVC altogether. Lots of are compliant with strict requirements like Oeko-Tex or meet retail screening programs that prohibit specific phthalates and heavy metals. If you offer customized apparel into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at store practices: filtering on your washout cubicle, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is controlled and waste is caught. If you're utilizing print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability hides in the details.
Most people do not purchase a graphic tee due to the fact that they like the ink. They purchase it because the garment looks excellent, feels good, and keeps that character after repeated washing. Water based inks, including discharge, give you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes obtain from heavy plastisol when you stretch throughout the chest.
I keep a rack of comparison shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear customers prefer, however the wearer feedback is consistent: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various color lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is shifting as the color is removed.
That's not a defect, it becomes part of the medium. Lots of designers embrace the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color reproduction for corporate logo designs, either order test prints on the precise batch you plan to use or think about a water based underbase or hybrid approach where required. For wholesale t shirts that will be distributed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just raises the cotton portion. That suggests your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vibrant color on a poly blend, traditional plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on ended up garments, expect little spaces along seams, which some customers like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which works on material but cotton t-shirt printing can lock a mesh if you stop briefly too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting solution at hand, and keep the print room humidity in a constant variety, roughly 45 to 55 percent, to avoid early drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant rate, minimize clogging.
Curing is where numerous newbies fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the distinction. You want even heat across the belt and adequate dwell to reach the producer's remedy temperature level throughout the ink layer, not just at the surface area. Shirts exiting the tunnel needs to be dry to the touch with no cool spots. For discharge, the chemical reaction happens throughout this remedy, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon appropriate remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine durability by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and cracking. Water based prints show steady softening and a mild fade in the very same way denim relaxes. Plastisol's failure mode is various, generally cracking if the ink layer is too thick or under-cured. For individualized t-shirts that require to look proficient at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, design your own t shirt automobiles run at comparable speeds. Where Minimum order quantity it actually settles remains in perceived value. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires over night turn-around and art changes constantly, direct-to-garment or DTF may be much better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t t-shirts with several colorways and must keep inventory versatile, a flexible water based palette on light garments is efficient, since you avoid the weight and stiffness that accumulate with several underbases in plastisol.
Design planning starts with the material color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, especially on high-absorbency cotton. If you need razor unfavorable area, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not catch fiber interplay and dye lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed performance shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor smell during treating, discharge days in the store are obvious. Well-managed air flow alleviates this, however it belongs to the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles typically sink, and the result is more satin than real metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that gets rid of uncertainty. A basic technique keeps surprises at bay and assists you hit due dates for launches and events.
Print as needed has its own restrictions: fast art changes, small batch sizes, and the requirement for a broad color range. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you arrange catalog method. For styles that are high volume even at little everyday quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol job, I discuss what they are buying. They get the soft hand that retail clients correspond with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, typically a small uplift that can be neutralized by picking a somewhat more economical blank. If the program is for wholesale t t-shirts entering into boutiques or e-commerce at premium cost points, the improvement in perceived value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, choices matter. Deal a base price with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and reasonable so the shirt makes it through real life. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will sustain normal laundering if effectively cured. I recommend phrasing care suggestions in human terms on product pages: wash cold with comparable colors, tumble dry low, avoid material conditioners if you want colors to remain crisp. The last note matters since some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I've evaluated these instructions in-house: two similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little much faster fading of mid-tones, yet still looked excellent. That tolerance originates from right treatment, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting seams, style for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brand names that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The finished garments read as customized from a distance, which is the goal.

One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that seemed like it resided in the material. We tested on three blacks from two mills. Batch one raised cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The result: constant tees across 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temperature for the ideal personalized tees period. Use a donut probe or an embedded thermochromic strip to determine real ink film temperature level, not just clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood in between prints, and control shop humidity.
A third risk is overlooking material variability. If you change blanks mid-run because a size runs out stock, you may see shifts in color. Build contingency into your buying. For brands planning ahead, picking a standard blank and locking it with your supplier minimizes surprises.
If your priority is soft, breathable custom clothing that consumers keep using, water based inks are worth the learning curve. Use standard water based upon light garments for tidy information and matte color. Relocate to discharge on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for slight color difference with discharge, particularly throughout dye lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will utilize, then record your settings and hold back a recommendation t-shirt for quality control.
If you operate a print on demand brochure, carve out a water based pill of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.

Custom t shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels absolutely nothing but fiber, you've won. That's the minute water based and discharge deliver, and why they deserve a place in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515