Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous stress: the push for softer, more breathable prints that people really delight in using, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has formed how I pick inks, pretreatments, and fabrics for custom apparel projects. Throughout the years, I've learned that water based inks and discharge printing are not just buzzwords, they are useful tools that produce lovely outcomes and genuine convenience, particularly for T shirt printing that needs to stand up to day-to-day wear.
If you run a brand name, manage bulk t t-shirt orders, or just want your individualized shirts to feel like a preferred from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The ideal option can make the distinction between a t-shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a film, water based inks absorb into the fibers. That single characteristic discusses most of the benefits and compromises. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently identical from the t-shirt itself. For customized t t-shirts created for convenience, this is the course to the "retail feel" customers ask for.
There are 2 main families: standard water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either require a much heavier print or you switch to release. Discharge printing uses an activator that lifts the color from the fabric during treating, basically whitening the t-shirt's dye in the printed areas, then changes it with your pigment. The end result is the softest possible print on dark cotton, typically with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks generally contain fewer unstable organic substances than solvent-heavy options and avoid PVC completely. Numerous are certified with rigorous standards like Oeko-Tex or fulfill retail testing regimes that ban specific phthalates and heavy metals. If you offer custom clothing into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You likewise need to take a look at shop practices: filtering on your washout cubicle, recover chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run shop, exposure is controlled and waste is recorded. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability hides in the details.
Most people do not purchase a graphic tee due to the fact that they love the ink. They buy it because the garment looks good, feels good, and keeps that character after repeated washing. Water based inks, consisting of discharge, give you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases receive from heavy plastisol when you stretch throughout the chest.
I keep a rack of comparison shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients prefer, but the wearer feedback is consistent: water based seems like a premium garment.
Color precision with water based inks refers control, humidity, and the material's own dye. On white or heather light shirts, standard water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various color lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, however you're still working with a background that is moving as the dye is removed.
That's not a defect, it's part of the medium. Numerous designers embrace the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your DTG maintenance and troubleshooting brand name needs laser-precise color recreation for business logo designs, either order test prints on the specific batch you prepare to use or consider a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton portion. That suggests your color saturates the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, brilliant color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on completed garments, anticipate small voids along joints, which some clients like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which is useful on material but can lock a mesh if you stop briefly too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a consistent range, roughly 45 to 55 percent, to prevent early drying. Manual press operators will see how quickly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent rate, decrease clogging.
Curing is where lots of novices miss the mark. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with enough airflow makes the distinction. You desire even heat across the belt and enough dwell to reach the producer's treatment temperature throughout the ink layer, not just at the surface area. T-shirts leaving the tunnel should be dry to the touch with no cool areas. For discharge, the chain reaction occurs during this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon appropriate cure and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and cracking. Water based prints reveal gradual softening and a mild fade in the very same method jeans relaxes. Plastisol's failure mode is different, generally breaking if the ink layer is too thick or under-cured. For personalized shirts that need to look good at a household reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, cars run at similar speeds. Where it really pays off is in viewed worth. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that needs overnight turnaround and art changes constantly, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel compromises. When you handle wholesale t shirts with several colorways and need to keep stock flexible, a flexible water based combination on light garments is effective, because you prevent the weight and stiffness that collect with multiple underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color peeks Discharge printing through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill in with discharge, specifically on high-absorbency cotton. If you need razor unfavorable space, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than trusting a digital mockup. A mockup can not record fiber interaction and dye lift.
There are times I encourage versus discharge. Polyester-rich garments are top of the list. The activator can cause color migration, specifically with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small odor throughout treating, discharge days in the shop are noticeable. Well-managed airflow alleviates this, however it becomes part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles often sink, and the impact is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that eliminates uncertainty. An easy technique keeps surprises at bay and assists you hit deadlines for launches and events.
Print on demand has its own restrictions: quick art changes, small batch sizes, and the requirement for a broad color range. Direct-to-garment has actually become the default, however water based screen printing can fit POD if you organize brochure strategy. For designs that are high volume even at little day-to-day quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship very same day with water based prints that feel much better than lots of DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I discuss what they are buying. They get the soft hand that retail clients relate with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, typically a little uplift that can be neutralized by choosing a slightly more economical blank. If the program is for wholesale t shirts entering into boutiques or e-commerce at exceptional rate points, the improvement in viewed value more than covers the change.
For personalized shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and reasonable so the shirt survives real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will sustain typical laundering if appropriately cured. I recommend phrasing care tips in human terms on item pages: wash cold with comparable colors, tumble dry low, avoid material softeners if you desire colors to remain crisp. The event t shirts last note matters due to the fact that some conditioners can deposit movies on fibers, dulling the visual contrast of fine lines.
I've checked these instructions in-house: two identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly quicker fading of mid-tones, yet still looked great. That tolerance comes from appropriate remedy, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of fighting seams, design for them. Use tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell minimal runs can validate cut-and-sew for 100 to 300 pieces if the style requires it. The ended up garments read as custom from a distance, which is the goal.
One spring we ran a series for a local music festival. The client desired soft black tees with a sunburst print that seemed like it lived in the fabric. We tested on three blacks from monogramming two mills. Batch one lifted easily with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The result: constant tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the team to treat discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temperature for the ideal duration. Use a donut probe or an embedded thermochromic strip to measure true ink film temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a constant speed on press, flood between prints, and control store humidity.
A 3rd mistake is neglecting fabric variability. If you switch blanks mid-run since a size runs out stock, you may see shifts in color. Construct contingency into your purchasing. For brand names preparing ahead, selecting a standard blank and locking it with your supplier reduces surprises.
If your concern is soft, breathable custom clothing that consumers keep using, water based inks are worth the learning curve. Usage standard water based upon light garments for clean detail and matte color. Move to release on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for slight color difference with discharge, especially throughout dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will utilize, then record your settings and hold back a referral t-shirt for quality control.
If you run a print as needed brochure, take a water based capsule of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb across a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they should have a location in any major store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515