Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in consistent tension: the push for softer, more breathable prints that people actually delight in using, and the need to produce at scale without compromising the environment or the bottom line. That tension has actually shaped how I pick inks, pretreatments, and materials for custom apparel projects. Throughout the years, I've found out that water based inks and discharge printing are not just buzzwords, they are useful tools that produce gorgeous results and real convenience, particularly for T shirt printing that requires to withstand daily wear.
If you run a brand name, handle bulk t shirt orders, or simply want your personalized t-shirts to seem like a preferred from the first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The best choice can make the difference in between a shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a film, water based inks take in into the fibers. That single characteristic discusses most of the benefits and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically indistinguishable from the t-shirt itself. For custom-made t t-shirts developed for convenience, this is the path to the "retail feel" clients ask for.
There are 2 primary households: basic water based and discharge. Basic water based ink works best on white or really light t-shirts. It can cover mid-tones with the best base, once you move into darker fabrics, you either require a much heavier print or you change to release. Release printing uses an activator that raises the dye from the fabric during treating, essentially bleaching the t-shirt's color in the printed areas, then changes it with your pigment. The end result is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks normally contain fewer unpredictable natural compounds than solvent-heavy alternatives and avoid PVC entirely. Many are compliant with stringent requirements like Oeko-Tex or meet retail screening programs that prohibit particular phthalates and heavy metals. If you offer custom garments into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You also need to look at shop practices: filtering on your washout booth, recover chemistry, energy use on your dryer, and even material sourcing. Discharge needs an activator, generally based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is controlled and waste is captured. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability hides in the details.
Most individuals do not purchase a graphic tee due to the fact that they like the ink. They buy it because the garment looks excellent, feels good, and keeps that character after repeated washing. Water based inks, including discharge, give you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you stretch throughout the chest.
I keep a shelf of comparison t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients prefer, however the user feedback corresponds: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Different color lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, however you're still working with a background that is shifting as the dye is removed.
That's not a flaw, it's part of the medium. Lots of designers accept the a little vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand demands laser-precise color recreation for business logo designs, either order test prints on the precise batch you prepare to use or think about a water based underbase or hybrid technique where required. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your procedure so there are not a surprises at scale.
A best Jacksonville T shirt printing companies water based print is a collaboration between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge just raises the cotton part. That suggests your color fills the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, brilliant color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on finished garments, expect small spaces along joints, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry much faster in the screen, which works on material but can lock a mesh if you pause too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a consistent range, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will observe how quickly a standard water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and constant speed, minimize clogging.
Curing is where many beginners miss the mark. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with adequate airflow makes the difference. You want even heat across the belt and enough dwell to reach the producer's treatment temperature level throughout the ink layer, not simply at the surface. T-shirts exiting the tunnel ought to be dry to the touch with no cool spots. For discharge, the chemical reaction happens throughout this treatment, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and splitting. Water based prints show progressive softening and a gentle fade in the exact same method jeans unwinds. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For customized t-shirts that require to look good at a family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, automobiles run at similar speeds. Where it truly settles remains in viewed value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes continuously, direct-to-garment or DTF may be much better operationally, though both have their own ecological and feel compromises. When you handle wholesale t shirts with several colorways and need to keep inventory flexible, a flexible water based palette on light garments is effective, since you prevent the weight and stiffness that collect with several underbases in plastisol.
 
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can fill out with discharge, particularly on high-absorbency cotton. If you need razor unfavorable area, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of trusting a digital mockup. A mockup can not capture fiber interaction and dye lift.
 
There are times I encourage against discharge. Polyester-rich garments are top of the list. The activator can cause color migration, specifically with sublimated or cationic-dyed performance t-shirts, causing ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor odor during curing, discharge days in the shop are noticeable. Well-managed air flow alleviates this, however it is part of the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles often sink, and the result is more satin than real metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that eliminates guesswork. A simple technique keeps surprises at bay and assists you hit due dates for launches and events.
Print on demand has its own restrictions: quick art changes, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has become the default, however water based screen printing can fit POD if you organize catalog technique. For designs that are high volume even at little day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship very same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Customers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I discuss what they are purchasing. They get the soft hand that retail consumers relate with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, typically a little uplift that can be neutralized by selecting a slightly more cost-effective blank. If the program is for wholesale t t-shirts entering into boutiques or e-commerce at superior cost points, the enhancement in perceived value more than covers the change.
For individualized shirts, such as charity runs or college clubs, choices matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for expense, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it simple and practical so the shirt survives reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will endure regular laundering if effectively treated. I recommend phrasing care suggestions in human terms on item pages: wash cold with comparable colors, tumble dry low, prevent fabric conditioners if you want colors to stay crisp. The last note matters due to the fact that some conditioners can deposit films on fibers, dulling the visual contrast of great lines.
I have actually evaluated these instructions in-house: 2 identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat faster fading of mid-tones, yet still looked great. That tolerance comes from proper cure, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting joints, style for them. Usage tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brands that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the design warrants it. The finished garments read as custom from a range, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that seemed like it lived in the material. We tested on 3 blacks from 2 mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The result: constant tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temp for the right duration. Use a donut probe or an embedded thermochromic strip to measure true ink movie temperature, not just dryer setpoints. Screen lockup is the second. Keep a constant rate on press, flood between prints, and control store humidity.
A third risk is disregarding fabric variability. If you change blanks mid-run due to the fact that a size is out of stock, you might see shifts in color. Construct contingency into your buying. For brands planning ahead, picking a basic blank and locking it with your provider reduces surprises.
If your concern is soft, breathable customized clothing that clients keep using, water based inks deserve the learning curve. Use basic water based on light garments for tidy information and matte color. Move to discharge on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for minor color variation with discharge, particularly across dye lots. For bulk t shirt orders, integrate in a single round of physical tasting on the actual blanks you will use, then record your settings and hold back a recommendation t-shirt for quality control.
If you operate a print as needed catalog, take a water based pill of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a customer rubs their thumb across a print and feels absolutely nothing however fiber, you have actually won. That's the minute water based and discharge provide, and why they are worthy of a place in any major shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515