Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in continuous stress: the push for softer, more breathable prints that people actually delight in wearing, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has actually shaped how I select inks, pretreatments, and fabrics for custom clothing tasks. Over the years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce stunning results and genuine convenience, particularly for T t-shirt printing that requires to withstand daily wear.
If you run a brand, handle bulk t t-shirt orders, or simply want your individualized t-shirts to seem like a preferred from the very first wash, it deserves comprehending how these ink systems work, where they shine, and where they need care. The right option can make the distinction in between a t-shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks soak up into the fibers. That single particular explains most of the advantages and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically indistinguishable from the shirt itself. For custom-made t t-shirts developed for comfort, this is the path to the "retail feel" clients ask for.

There are two main families: standard water based and discharge. Basic water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the best base, once you move into darker fabrics, you either require a much heavier print or you switch to release. Release printing uses an activator that lifts the dye from the material throughout curing, basically whitening the shirt's color in the printed areas, then replaces it with your pigment. The end result is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks usually consist of fewer unpredictable natural substances than solvent-heavy alternatives and prevent PVC completely. Many are compliant with rigorous requirements like Oeko-Tex or satisfy retail screening programs that ban certain phthalates and heavy metals. If you offer custom garments into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise need to take a look at store practices: filtration on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, generally based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is captured. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability conceals in the details.
Most individuals do not purchase a graphic tee since they love the ink. They buy it due to the fact that the garment looks excellent, feels great, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, offer you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases receive from heavy plastisol when you extend across the chest.
I keep a rack of contrast shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear clients choose, but the user feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light shirts, basic water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different dye lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is moving as the dye is removed.
That's not a defect, it belongs to the medium. Numerous designers welcome the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color reproduction for corporate logo designs, either order test prints on the exact batch you plan to utilize or think about a water based underbase or hybrid approach where required. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton part. That implies your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, brilliant color on a poly mix, standard plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents seams, folds, and irregular pressure that appear as blank micro-gaps. If you must print on ended up garments, anticipate small voids along joints, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry quicker in the screen, which is useful on material but can lock a mesh if you stop briefly too long. Running a higher mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting option at hand, and keep the print space humidity in a stable variety, roughly 45 to 55 percent, to avoid early drying. Manual press operators will observe how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent pace, reduce clogging.
Curing is where lots of newbies fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the difference. You want even heat throughout the belt and enough dwell to reach the manufacturer's cure temperature throughout the ink layer, not just at the surface area. Shirts exiting the tunnel should be dry to the touch with no cool areas. For discharge, the chain reaction takes place throughout this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on proper remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and splitting. Water based prints show gradual softening and a mild fade in the exact same way jeans unwinds. Plastisol's failure mode is different, generally cracking if the ink layer is too thick or under-cured. For personalized shirts that need to look good at a household reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, cars run at similar speeds. Where it truly pays off is in perceived value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs over night turnaround and art modifications constantly, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel compromises. When you take on wholesale t t-shirts with several colorways and should keep stock flexible, a flexible water based combination on light garments is effective, since you avoid the weight and stiffness that build up with several underbases in plastisol.
Design planning starts with the material color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can fill out with discharge, especially on high-absorbency cotton. If you require razor negative space, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of relying on a digital mockup. A mockup can not catch fiber interaction and dye lift.

There are times I recommend versus discharge. Polyester-rich garments are top of the list. The activator can cause color migration, especially with sublimated or cationic-dyed efficiency t-shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor odor throughout curing, discharge days in the shop are obvious. Well-managed air flow mitigates this, however it belongs to the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that removes guesswork. A simple technique keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own restraints: fast art modifications, little batch sizes, and the requirement for a broad color range. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize catalog technique. For styles that are high volume even at little everyday quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel much better than numerous DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I discuss what they are purchasing. They get the soft hand that retail customers equate with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, typically a little uplift that can be reduced the effects of by picking a slightly more affordable blank. If the program is for wholesale t shirts going into stores or e-commerce at premium rate points, the improvement in viewed worth more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, choices matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for expense, others for feel. Meeting both lets you serve a broader market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it easy and practical so the shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will endure normal laundering if appropriately treated. I recommend phrasing care ideas in human terms on product pages: wash cold with comparable colors, topple dry low, avoid material softeners if you desire colors to stay crisp. The last note matters due to the fact that some conditioners can deposit films on fibers, dulling the visual contrast of great lines.
I've tested these directions in-house: two identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little quicker fading of mid-tones, yet still looked great. That tolerance comes from correct cure, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of combating seams, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer restricted runs can validate cut-and-sew for 100 to polyester vs cotton shirts 300 pieces if the design necessitates it. The completed garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that felt like it lived in the fabric. We tested on three blacks from two mills. Batch one lifted easily with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the ideal period. Use a donut probe or an embedded thermochromic strip to determine real ink film temperature level, not simply dryer setpoints. Screen lockup is the second. Keep a constant rate on press, flood between prints, and control store humidity.
A 3rd mistake is ignoring fabric irregularity. If you switch blanks mid-run because a size is out of stock, you may see shifts in color. Construct contingency into your purchasing. For brand names preparing ahead, selecting a standard blank and locking it with your provider lowers surprises.
If your concern is soft, breathable custom-made clothing that clients keep wearing, water based inks deserve the knowing curve. Usage basic water based upon light garments for tidy information and matte color. Move to release on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for slight color variation with discharge, especially across color lots. For bulk t t-shirt orders, build in a single round of physical sampling on the real blanks you will utilize, then record your settings and keep back a recommendation t-shirt for quality control.
If you run a rush t shirt printing print as needed brochure, carve out a water based capsule of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a consumer rubs their thumb across a print and feels nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they should have a location in any major shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515